WRITING
VISION CREEP
Curatorial essay for Vision Creep screening, Pleasure Dome, 2021
Recoiling From the Sun / Exhumations / Under the Floor, Behind the Walls
Publication essay for Of Several Depths, the plumb, 2021
Aspic Sculpture (Parts I - IV)
Public Parking, 2021
Saprophytes
In catalog for Logics of Sense 2: Implications, published by the Blackwood Gallery, 2019
But Seeing Through Whose Eyes: Call Me By Your Name and the Mechanisms of Love and Fantasy
Offscreen. Vol 22, Issue 9. Forbidden Love, Cinematic Desires, 2018
Embalming and Erosion in Andrew Testa's All The Other Things
Cross Process, Vol 2, 2018
Pulse, Power, and Politics: Rafael Lozano-Hemmer's Unstable Presence
Graphite Publications, 2018
Written in Sponge
Paper for a performative lecture, presented at Navigating the Cyber Sea symposium, 2018
Review of Ed Atkins' Modern Piano Music at Montreal's DHC ART
Graphite Publications, 2017
PUBLICATIONS
The Specific, Irreducible Element
Exhibition essay for You can draw a straight line, written by Kate Whiteway, 2022
The Politics of Sensing
Feature review written by Maya Wilson-Sanchez, published by Canadian Art, 2019
'Logics of Sense 2: Implications'
Catalog Essay written by Christine Shaw, published by the Blackwood Gallery, 2019
'Two or Three Saprophytes'
Catalog Essay written by Lauren Fournier, published by the Art Museum at the University of Toronto, 2019
LandEscape Contemporary Art Review, Special Issue 8
Feature and interview, 2016
Art Reveal Magazine, Issue 21
Feature and interview, 2016
'Miles Rufelds' Luscious New Minimalism'
Exhibition Essay written by Daniel Jolliffe, published by PDA Projects, 2015